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The Original Broadway Makers |
Michael
Berresse (Director/Choreographer)
Familiar to many New York theatregoers as an actor, Michael
has had the unique opportunity (fun fact) of both portraying
a Broadway director/choreographer as Zach in the revival of
A Chorus Line and being the real thing in the same
season. He has directed [title of show] since its premiere
at the NYMF festival in 2004 and received an Obie Award and
a Lucille Lortel nomination for his work on the Off-Broadway
production at the Vineyard Theatre. As an actor on Broadway:
Kiss Me, Kate (Tony, Olivier, Outer Critics Circle,
Astaire Award nominations); The Light in the Piazza
(Outer Critics Circle nomination); A Chorus Line; Chicago;
The Gershwin’s Fascinating Rhythm; Damn Yankees;
Guys and Dolls; Carousel; Fiddler on the
Roof; A Wonderful Life (concert). Off-Broadway:
Forever Plaid, The Cocoanuts. Encores!: No,
No, Nanette; Chicago; Call Me Madam; One
Touch of Venus. Film: Stephen Spielberg’s AI andas
the creepy killer in State of Play. TV: “Law & Order:
SVU,” “Law & Order: Criminal Intent,” “Great Performances,”
“Live From Lincoln Center.” This show has changed my life.
I'm so proud and I am eternally grateful for everything these
collaborators have given me. Never be afraid. |
Larry Pressgrove
(Musical Direction/
Arrangements) has been with [title of show] in
all its incarnations. Most recently he was music director/arranger for
a live-action version of the Muppet special, Emmet Otter's Jug-Band
Christmas at Goodspeed Operat House. He was music director for Cats
(Broadway and national tour), Les Misérables (national tour) and conducted
Colm Wilkinson's last performance of Les Miz at the National Opera Theatre in
Shanghai, China. He was assistant conductor for The Phantom of the Opera tour and
has music directed various productions at the Ford's Theatre, the Repertory Theatre of St. Louis
and Cincinnati Playhouse in the Park. With collaborator Rachel Lampert, he composed the scores
for The Angle of the Sun (NYMF 2007) and Bed No Breakfast and Comfort Food
(Kitchen Theatre, Ithaca NY). For two years he was the artistic director of Metro Theatre Company in
St. Louis.
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Neil
Patel (Scenic Design)
Broadway: Side Man (West End and Kennedy Center);
’night, Mother; Ring of Fire. West End: Underneath
the Lintel. Off-Broadway: Dinner With Friends (Variety
Arts Theater and nat’l tour), Peter and Jerry, Soldier’s
Play, Living Out (Second Stage); Streamers, McReele
(Roundabout); Dirty Tricks, Othello, Henry V (New
York Shakespeare Festival); War of the Worlds, Hotel Cassiopeia
(BAM/Next Wave). Opera: New York City Opera, Santa Fe
Opera, Minnesota Opera, Boston Lyric Opera, Florida Grand
Opera, Opera Theatre St. Louis, Tokyo Nikikai Opera Theatre.
Helen Hayes Award, numerous Drama Desk nominations, 1996 and
2001 Obie for Sustained Excellence.
www.neilpateldesign.com |
Chase
Tyler (Costume Design)
is excited to be making his Broadway debut. Off-Broadway:
Blue Man Group Rewired; Bash’d: A Gay Rap Opera; Five
Women With the Same Dress; [title of show]
(Vineyard). Other credits include The Morning
Show, Pure Polyester, Blue Man Group (Vegas, Berlin,
Oberhausen, Tokyo, London, Orlando, Amsterdam) and How
to Be a Megastar world tour. Film and TV work
includes the feature film Satan Hates You, “Thrillavision”
and “The Coaches Show.” He is a partner and creative director
of Chase Tyler Design, a boutique design firm offering clients
a variety of costume and fashion design, product development
and creative production services. |
Ken
Billington (Co-Lighting Design)
Ken has more than 80 Broadway shows to his credit, including
such musicals as Dance of the Vampires, Dream, Ain’t Broadway
Grand, The Red Shoes, Metro, Late Night Comic, Grind, The
Three Musketeers, A Doll’s Life, Copperfield, Perfectly Frank,
But Never Jam Today and Happy New Year. Ken
has also lit the current Chicago and the recent Sunday
in the Park With George and The Drowsy Chaperone
as well as Footloose, On the Twentieth Century and
the original Sweeney Todd. He is a recipient of Tony,
Drama Desk, Outer Critics Circle and Ace awards and the Luman
for his architectural lighting. |
Jason
Kantrowitz (Co-Lighting Design)
is elated to continue the [title of show] journey.
His eclectic worldwide career includes New York productions
of Dame Edna: The Royal Tour, Tru, Starmites, The Syringa
Tree, Mud Donahue & Son, Ministry of Progress, Radio City
Christmas Spectacular. National tours of The Phantom
of the Opera (Associate Designer), Annie, Hats! The
Musical. International productions of The Producers,
Sweet Charity, Fiddler on the Roof, Joseph and the Amazing
Technicolor Dreamcoat, The Syringa Tree, Stars on Ice; the
Las Vegas spectacular Jubilee!; the Disney attractions
Fantasmic!, Playhouse Disney Live, Voyage of the Little
Mermaid, Festival of the Lion King, Finding Nemo the Musical
and Toy Story the Musical; and Busch Entertainment’s
Emerald Beat, Kinetix, Shamu Rocks and Journey
to Atlantis. |
ACME
Sound Partners (Sound Design)
Broadway: The Country Girl, In the Heights, Legally Blonde,
High Fidelity, A Chorus Line (‘06), Dr. Seuss’ How
the Grinch Stole Christmas, The Drowsy Chaperone, Hot Feet,
The Light in the Piazza, Monty Python’s Spamalot, Dirty Rotten
Scoundrels, Dracula the Musical, Twentieth Century, Fiddler
on the Roof, Never Gonna Dance, The Boy From Oz, Avenue Q,
Gypsy, La Bohème (Drama Desk), Flower Drum Song,
Elaine Stritch: At Liberty, Bells Are Ringing, A Class Act,
Jane Eyre, The Full Monty. National: Irving Berlin’s
White Christmas. Numerous Off- Broadway and regional
productions, plus theatrical concerts and special events with
renowned orchestras at world-famous venues indoors and out.
Eight summers in Central Park with the New York Shakespeare
Festival. Partners: Tom Clark, Mark Menard and Nevin Steinberg. |
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Telsey
+ Company (Casting)
Broadway/tours: Speed-the-Plow, Equus, Godspell, Cry-Baby,
A Catered Affair, South Pacific, In the Heights, November,
Legally Blonde, Wicked, Hairspray, Rent, The Color Purple,
Drowsy Chaperone, Sweeney Todd, High School Musical, Bette
Midler (Vegas). Off-Broadway: Blue Man Group, Atlantic,
MCC, Signature. Regional: 9 to 5 (Ahmanson), La Jolla,
Westport. Film: I Love You Phillip Morris, Sex and the
City, Dancing With Shiva, Dan in Real Life, Then She Found
Me, Across the Universe, Ira and Abby, Rent, Pieces of April,
Camp. TV: “The Saint” (pilot), “Ugly Betty” (pilot),
“Whoopi,” HBO’s “Undefeated,” commercials. |
Brian
Lynch/Theatretech, Inc. (Production
Supervisor). Technical/production management on numerous
Broadway shows that include In the Heights, Avenue Q,
Irving Berlin’s White Christmas, The Drowsy Chaperone, A Moon
for the Misbegotten, High Fidelity, The Odd Couple, Ring of
Fire, Movin’ Out, Baz Luhrmann’s La Bohème, Contact,
Side Show, De La Guarda, Riverdance and Rent.
Brian has also worked on virtually all of Neil Simon’s productions
spanning the last 25 years. |
Martha
Donaldson (Production Stage Manager)
Broadway: The Year of Magical Thinking, Top Girls.
Off-Broadway: [title of show] (Vineyard); The
Receptionist, Regrets Only (MTC); Satellites, Well
(Public); Oedipus at Palm Springs, A Number, Hedda
Gabler, Far Away, etc… (NYTW); Julius Caesar (NYSF/Delacorte);
Talking Heads (Minetta Lane). National tour: The
Vagina Monologues. |
Tom
Reynolds (Stage Manager)
Broadway: The Lion King, The Color Purple, Curtains.
Off-Broadway [titleof show], Five Course
Love, The Immigrant, Eyewitness Blues, Golf the Musical, Hank
Williams: Lost Highway, Faster, Finder’s Fee, Right You Are.
Tour: The Heart Is a Lonely Hunter, Anything Goes.
Regional: Studio Arena and Little Theatre on the Square. |
The
Charlotte Wilcox Company (General
Manager). Broadway credits include Grease (all
three Broadway productions), Cyrano (starring Kevin
Kline), The Drowsy Chaperone, The Times They Are AChangin’,
The Wedding Singer, Dirty Rotten Scoundrels, Bombay Dreams,
Taboo, The Full Monty, Ragtime, Jesus Christ Superstar, By
Jeeves, On the Waterfront, My Fair Lady, Fiddler on the Roof,
Cat on a Hot Tin Roof, Damn Yankees, Chicago, City of Angels.
Touring: Stones in His Pockets, Sunset Boulevard, Busker
Alley, Steel Magnolias, On Your Toes, La Scala Ballet,
the Canton Acrobats and the Peking Opera. |
Kevin
McCollum (Producer)
is represented on Broadway by In the Heights, [title of
show], Avenue Q and Rent. He received Tony Awards
for Best Musical for In the Heights (2008), Avenue
Q (2006) and for Rent (1996), which was also
awarded the Pulitzer Prize for Drama and is now a major motion
picture. Mr. McCollum also produced The Drowsy Chaperone,
winner of five 2006 Tony awards; Baz Luhrmann’s Broadway
production of Puccini’s La Bohème (2002); High
Fidelity (2006); and the debut stage production of Irving
Berlin’s
White Christmas. Off-Broadway credits also include
De La Guarda. He is a graduate of the University
of Cincinnati-College Conservatory of Music and holds a Master’s
degree from the Peter Stark Program at USC. |
Jeffrey
Seller (Producer)
is the winner of three Tony Awards for Best Musical: In
the Heights (2008), Avenue Q (2004) and Rent
(1996), which also won the Pulitzer Prize for Drama.
Jeffrey also produced De La Guarda (1998), Baz Luhrmann’s
production of Puccini’s La Bohème (2002) and High
Fidelity (2006). He is a graduate of the University of
Michigan. |
Laura
Camien (Producer)
is the original producer of [title of show] at the
manhattan theatre source and again within the New York Musical
Theatre Festival. She is the founder and artistic director
of Bridge Club Productions, where she has been dedicated to
the development of new work with artists such as Susan Blackwell,
Tim Aumiller and Manny Igrejas. Laura is also the senior director
of press for Blue Man Productions, where her creative ideas
have been inspired and encouraged for many years. She is incredibly
proud of this project and the extraordinary effort it took
to get from where we were to where we are. Many thanks to
manhattan theatre source, the New York Musical Theatre Festival,
the Vineyard and Kevin McCollum for their unfaltering support
of young artists, and to family and friends whose work on
this project made our journey to Broadway possible. |
Roy
Miller (Producer)
Broadway: The Drowsy Chaperone (winner of five 2006
Tony Awards; Drama Desk and NY Drama Critics Circle Awards
for Best Musical), Is He Dead? (2008), High Fidelity
(2006), I’m Not Rappaport (2002). Tour: A
Chorus Line (2002), Joseph and the Amazing Technicolor
Dreamcoat (2000). From 1991 to 2004, Mr. Miller was with
the acclaimed Paper Mill Playhouse in New Jersey, producing
shows such as Follies starring Ann Miller, Gypsy
starring Betty Buckley, Crazy for You (Emmy-nominated
PBS broadcast) and Stephen Schwartz’s Children of Eden. |
Kris
Stewart (Producer)
Co-director of Red Sand Media Partners with Brad Rubenstein,
producing the feature film Red Hook, as well as [title
of show]. Mr. Rubenstein is the chair of the New York
Festival of Song, and Mr. Stewart was the founder and executive
director of the New York Musical Theatre Festival (NYMF),
the world’s largest annual musical theatre event, where he
oversaw 1,197 performances of 133 new musicals. Stewart and
NYMF won the $100,000 Jujamcyn Theaters Prize, and he has
directed and produced for many Australian companies, including
the Gordon/Frost Organization (where he is currently working
on Wicked), the Kevin Jacobsen Corporation, Opera
Australia, the State Opera of South Australia, Melbourne Theatre
Company, IMG, the Production Company and Sydney Theatre Company.
For [title of show], they are joined by Arianna Knapp
and Sennova. www.redsandmedia.com |
Vineyard
Theatre (Producer)
is a nonprofit, Off-Broadway theatre company that is one of
America’s preeminent centers for developing and producing
new plays and musicals, consistently premiering provocative,
groundbreaking work by new and established theatre artists.
Notable premieres include [title of show]; Avenue Q; two
Pulitzer Prize-winning dramas, Paula Vogel’s How I Learned
to Drive and Edward Albee’s Three Tall Women; Nicky
Silver’s Pterodactyls and Raised in Captivity;
Becky Mode’s Fully Committed; Craig Lucas’ The
Dying Gaul; Christopher Shinn’s Where Do We Live;
Cornelius Eady’s Brutal Imagination; Gina Gionfriddo’s
After Ashley; the Laura Nyro musical Eli’s Comin’;
Paula Vogel’s The Long Christmas Ride Home; Anne
Washburn’s The Internationalist; Julia Cho’s The
Piano Teacher; and Ben Katchor and Mark Mulcahy’s musical
The Slug Bearers of Kayrol Island. The Vineyard’s
commitment to artistic excellence and nurturing artists has
been recognized with numerous awards over our 26 years including
special Obie, Drama Desk and Lucille Lortel awards for Sustained
Excellence. www.vineyardtheatre.org |
Rachel
Helson (Associate Producer)
Broadway: The Rocky Horror Show benefit for the Susan
G. Komen Foundation. Pursing a BFA in acting at NYU Tisch.
Member of At Play Productions and Old Vic, New Voices Network.
Writing Acting for Change, a book promoting philanthropy
among youth. Thanks to K. Spacey for “sending the elevator
back down.” |
Sara
Katz (Associate Producer)
is the co-founder and artistic director of Square Peg Productions
and an associate producer of the New York Musical Theatre
Festival (NYMF). She is a graduate of Boston University with
a BFA in theatre studies. Sara is thrilled to be making her
Broadway debut with [title of show]. |
Lams
Productions (Associate Producer)
is a NY-based production company founded by Bradley Reynolds
and David Siesko. They’re pleased to be making their associate
producing debut having previously invested in several Broadway
productions, most recently In the Heights. David
is an attorney and financial services consultant; Bradley
is a member of the SAG and AEA. www.lamsproductions.com |
Jaimie
Mayer (Associate Producer)
runs Don’t Eat the Pictures Productions. Theatre: BabyLove
(Hourglass Group), Spite (FringeNYC), The
Scariest (the Exchange), Diversey Harbor (Frigid
Festival). NY Musical Theatre Festival: The Boy in the
Bathroom (NYMF Award for Most Promising New Musical),
Love Kills, Broadway Idol. Film: Armless, Red
Hook. MFA, Columbia University. For HAP, love JAP. |
Heather
Provost (Associate Producer)
created and executive produced the TV shows “Reality Check”
and “Who Knew?…The inthe- Know Travel Show.” She is currently
producing The Diary, a new musical based on The
Diary of Anne Frank. Ms. Provost is a graduate of
the Commercial Theatre Institute and Florida State University. |
Tom
Smedes (Associate Producer)
is currently producing Ace for Broadway. As producer
and/or general manager: Naked Boys Singing!; The Musical
of Musicals (The Musical!) (NYC and London); Dog
Sees God: Confessions of a Teenage Blockhead; Side by Side
by Sondheim (London); AltarBoyz; The Women of Lockerbie;
Mike Daisey’s 21 Dog Years: Doing Time @Amazon.com;
Criss Angel Mindfreak; Love, Janis. www.tomsmedes.com |
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